Crazy Cat Lad Makes Music Video

I have often talked about a ‘tyranny of positivity’ within contemporary environmentalism, whereby we are told that optimism is a moral and practical imperative. That typically comes with the ‘fake green fairytale’ of planetary salvation through electrification. That has been attractive to many environmental professionals (my past self included) as it offers possibility of feeling earnest and earning an income, despite it being a biophysical nonsense. When senior environmental leaders demonise more realistic assessments and associated despair, their ‘moodsplaining’ is promoting deference to power. Instead, for many people, feelings of despair have aided our radicalisation. That’s why an acceptance that modern societies are breaking down due to ecological degradation, amongst other factors, has been transforming people’s lives so we become more socially engaged, not less: becoming ‘doomsters’, as I term us in Breaking Together. More recently, I have wondered if there is a second tyranny in contemporary environmentalism, at least in the Western countries I have most experience of. It is a tyranny of piety.

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Crazy Cat Lad Writes Song

What kind of music is related to deep adaptation? I wondered this recently. I don’t think it’s music about doom and gloom. Instead, it is anything which invites us to connect with our hearts, remember ancient wisdom, feel gratitude for what has been and still is, accept loss and death as natural, and recommit to conscious living no matter what lies ahead.

With my new band, Barefoot Stars, I’m releasing songs that I wrote from such emotions. ‘Healing Hearts‘ is about allowing endings with the knowledge something new will emerge. My latest release, ‘Mystical Cat‘ is not only about a deeper appreciation of nature, as reflected in our pets, but also about the significance of life not depending on its duration (you need to wait for the 3rd verse to hear that though). I wrote the song the night Amy died. She was a rescue kitten, adopted from Villa Kitty in Bali. She was the first non-human creature I met who had a sense of humour, not just play. Getting to know her opened my mind and heart to the depth of thought and emotion that’s possible in life other than human. That paved the wave for me to rescue a black kitten from the Brahma Vihara Temple, and he accompanied me during a reclusive 21 months when I wrote and released Breaking Together.

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